<p fr-original-style="" style="margin-top: 0px; margin-bottom: 1em; box-sizing: border-box;"><img src="https://images.aposto.com/2022/7/5/1660942383147.jpeg" style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px; border-style: none; position: relative; cursor: pointer; padding: 0px 1px; box-sizing: border-box;" width="550" ratio="1.34" fr-original-style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px;" fr-original-class="fr-draggable"></p><h3 fr-original-style="" name="e28f" style="margin: 0px; color: rgba(0, 0, 0, 0.85); font-weight: 500; padding: 0px; box-sizing: border-box;"><img src="https://images.aposto.com/2022/7/5/1660941234919.jpeg" style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px; border-style: none; position: relative; cursor: pointer; padding: 0px 1px; box-sizing: border-box;" width="550" ratio="1.34" fr-original-style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px;" fr-original-class="fr-draggable"></h3><h3 fr-original-style="text-align: center;" name="e28f" style="text-align: center; margin: 0px; color: rgba(0, 0, 0, 0.85); font-weight: 500; padding: 0px; box-sizing: border-box;"><sup fr-original-style="" style="top: -0.5em; position: relative; font-size: 75%; line-height: 0; vertical-align: baseline; box-sizing: border-box;">Fotoğraf © İlhan Bilge</sup><br fr-original-style="" style="box-sizing: border-box;"><br fr-original-style="" style="box-sizing: border-box;"></h3><h3 fr-original-style="" name="e28f" style="margin: 0px; color: rgba(0, 0, 0, 0.85); font-weight: 500; padding: 0px; box-sizing: border-box;"><strong fr-original-style="" style="font-weight: 700; box-sizing: border-box;">Abdullah Taşcı Retrospektif Sergisi</strong><br fr-original-style="" style="box-sizing: border-box;"><br fr-original-style="" style="box-sizing: border-box;"></h3><p fr-original-style="" name="4ba3" style="margin-top: 0px; margin-bottom: 1em; box-sizing: border-box;">Türkiye’nin önemli grafik ve yazı tasarımcılarından <a data-href="https://www.abdullahtasci.com.tr/" fr-original-style="" href="https://www.abdullahtasci.com.tr/" rel="noopener" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; -webkit-user-select: auto; box-sizing: border-box;" target="_blank">Abdullah Taşcı</a>’nın elli yılı aşan sanat ve tasarım hayatında ortaya koyduğu seçme eserleri retrospektif sergisinde izleyicilerle buluştu. Taşcı’nın imzasını taşıyan yüze yakın amblem, logo, afiş, kaligrafi ve yazı tasarımlarının yer aldığı sergi, 18 Ağustos 2022 tarihinde kapılarını açtı. Mimar Sinan Güzel Sanatlar Üniversitesi’nin Tophane-i Âmire’deki salonunda sergilenen Taşcı’nın eserleri, 7 Eylül 2022 tarihine kadar ziyaret edilebilecek.</p><p fr-original-style="" name="4ba3" style="margin-top: 0px; margin-bottom: 1em; box-sizing: border-box;"><br fr-original-style="" style="box-sizing: border-box;"></p><hr fr-original-style="" style="height: 0px; overflow: visible; border-bottom-style: none; clear: both; -webkit-user-select: none; break-after: page; box-sizing: border-box;"><h3 fr-original-style="" name="e28f" style="margin: 0px; color: rgba(0, 0, 0, 0.85); font-weight: 500; padding: 0px; box-sizing: border-box;"><br fr-original-style="" style="box-sizing: border-box;"></h3><p fr-original-style="text-align: center;" style="text-align: center; margin-top: 0px; margin-bottom: 1em; box-sizing: border-box;"><img src="https://images.aposto.com/2022/7/3/1660746118015.jpeg" style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px; border-style: none; position: relative; cursor: pointer; padding: 0px 1px; box-sizing: border-box;" width="550" ratio="1.23" fr-original-style="display: block; vertical-align: top; margin: 5px auto; text-align: center; width: 100%; max-width: 550px;" fr-original-class="fr-draggable"><sup fr-original-style="" style="top: -0.5em; position: relative; font-size: 75%; line-height: 0; vertical-align: baseline; box-sizing: border-box;">©&nbsp;</sup><a data-href="https://otherforms.net/product/typography-automation-and-the-division-of-labor-a-brief-history/" fr-original-style="" href="https://otherforms.net/product/typography-automation-and-the-division-of-labor-a-brief-history/" rel="noopener" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; -webkit-user-select: auto; box-sizing: border-box;" target="_blank"><sup fr-original-style="" style="top: -0.5em; position: relative; font-size: 75%; line-height: 0; vertical-align: baseline; box-sizing: border-box;">otherforms.net</sup></a></p><h3 fr-original-style="" name="cd75" style="margin: 0px; color: rgba(0, 0, 0, 0.85); font-weight: 500; padding: 0px; box-sizing: border-box;"><strong fr-original-style="" style="font-weight: 700; box-sizing: border-box;">Tipografi, Otomasyon ve İş Bölümü</strong><br fr-original-style="" style="box-sizing: border-box;"><br fr-original-style="" style="box-sizing: border-box;"></h3><blockquote fr-original-style="color: rgb(9, 9, 9); border-color: rgb(20, 20, 20); border-width: 4px; font-style: italic; padding-left: 10px;" style="color: rgb(9, 9, 9); border-color: rgb(20, 20, 20); border-width: 4px; font-style: italic; padding-left: 10px; margin: 0px 0px 1em; border-left-style: solid; box-sizing: border-box;"><p fr-original-style="" style="margin-top: 0px; margin-bottom: 1em; box-sizing: border-box;">“Tipografi, matbaanın seri üretim mekanizmasıyla doğmuş; böylece otomasyonla daimi olarak ilişkisi nedeniyle aşırı çalışma, eksik istihdam ve kaçak üretimin belirgin şekilde modern dinamiklerinde yer almıştır.”</p></blockquote><p fr-original-style="" name="0e6f" style="margin-top: 0px; margin-bottom: 1em; box-sizing: border-box;"><a data-href="https://linktr.ee/jdakota" fr-original-style="" href="https://linktr.ee/jdakota" rel="noopener" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; -webkit-user-select: auto; box-sizing: border-box;" target="_blank">J. Dakota Brown</a>’ın 2019 yılında <a data-href="https://otherforms.net" fr-original-style="" href="https://otherforms.net/" rel="noopener" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; -webkit-user-select: auto; box-sizing: border-box;" target="_blank">Other Forms Books</a> tarafından az sayıda yayımlanan ve grafik tasarım tarihini kapitalizmin tarihiyle ilişkilendirerek yeniden yorumladığı “<a data-href="https://otherforms.net/typography-automation-and-the-division-of-labor/" fr-original-style="" href="https://otherforms.net/typography-automation-and-the-division-of-labor/" rel="noopener" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; -webkit-user-select: auto; box-sizing: border-box;" target="_blank">Typography, Automation, and the Division of Labor</a>” başlıklı kitapçığı çevrimiçi erişime açıldı. 🇬🇧 North Carolina State Üniversitesi’nde grafik tasarım, Chicago Sanat Enstitüsü’nde eleştirel teori okuyan Brown, aynı yıl grafik tasarım politiği üzerine “<a data-href="https://i-n-g-a.com/products/the-power-of-design-as-a-dream-of-autonomy" fr-original-style="" href="https://i-n-g-a.com/products/the-power-of-design-as-a-dream-of-autonomy" rel="noopener" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; -webkit-user-select: auto; box-sizing: border-box;" target="_blank">The Power of Design as a Dream of Autonomy</a>” başlıklı bir kitapçık yayımlamış; <em fr-original-style="" style="box-sizing: border-box;">AIGA Eye on Design</em> ekibinden Ksenya Samarskaya, Brown ile 2021 yılında bir <a data-href="https://eyeondesign.aiga.org/designer-educator-j-dakota-brown-is-untangling-the-relationship-between-design-and-labor/" fr-original-style="" href="https://eyeondesign.aiga.org/designer-educator-j-dakota-brown-is-untangling-the-relationship-between-design-and-labor/" rel="noopener" style="color: rgb(9, 9, 9); text-decoration: none; background-color: transparent; outline: none; cursor: pointer; transition: color 0.3s ease 0s; touch-action: manipulation; -webkit-user-select: auto; box-sizing: border-box;" target="_blank">söyleşi</a> de yapmıştı. Şu sıralar Northwestern Üniversitesi İletişim Okulu Retorik ve Halk Kültürü Programı’nda doktora yapan Brown; emek, teknoloji ve estetik deneyimdeki tarihsel dönüşümler bağlamında tipografiye odaklanıyor.</p>

Bu ay yaşanan önemli gelişmeler arasında, Abdullah Taşcı'nın retrospektif sergisi ve J. Dakota Brown'ın internet ortamına taşınan kitabı gibi dikkat çeken bir dizi gelişme var.

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